R¡¹à} "³Îå} R¡[ÎKã ³[ošå[¹ [k¡ìÚi¡¹ # 42
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'ìJàÚ ³ÒàB¡à ¯à¹ã A¡Úà ÅàÄ[Jú ³ÒàA—¡à ëA¡à¹Î 빚ìi¡à[¹ƒà ó¡}¤à &Gš[¹ìÚX "[Î ³³º Úà´•à ¯à}>à ÒàÚ[Jú ëA¡à¹Î 빚ìi¡à[¹ "ìÎ ³à캳Kã ëšøàìó¡ìÑ•º A¡ì´š[>[Å}Kã ³>å}ƒà Úà´•à ³àR¡[\º =à¤à [k¡ìÚi¡¹ A¡´š[> "³[> ÒàÚ>à ÒàÚ¹³[J ú
³[Î>Îå ëºàÒü[‰ú ¹t¡> [=Úà³ "³Îå} ³ÒàB¡ã ëA¡à¹Î 빚ìi¡à[¹ "ìÎ [k¡ìÚi¡¹Kã ³A¡àP¡´¬à "³à *Òü¹¤[>ú ³à캳>à ÅA¡JR¡º¤à ³[ošå¹ƒà ët¡àR¡à>-ìt¡àR¡à>¤à [k¡ìÚi¡¹ ÑHæº "[>JA¡ íºú ³ƒå[ƒ [k¡ìÚi¡¹ *ó¡ ¹t¡> [=Úà³ "³Îå} [k¡ìÚi¡¹ *ó¡ íÒÑ•à³ A¡Òû¡àÒüºàº "[> "[Î[>ú ³¹³ "[Î>[> [k¡ìÚi¡¹ ºàÒüó¡³ W¡;šP¡³ 뺜¡>à ºàA—¡[¹¤àú
¹t¡> [=Úà³ "³Îå} ëA¡à¹Î 빚ìi¡à[¹ [k¡ìÚi¡¹ "ìÎ A¡ì–i¡´š¹[¹ ¯àÁ¢¡ [k¡ìÚi¡¹Kã ëΖi¡¹ *Òü¤Kã "ìt¡àÙà "R¡A¡šà ³šà* "³>à, ³[ošå¹ã [k¡ìÚi¡¹Kã šå¯à¹ãƒà Òüƒå>à íºJö¤à 2003 Kã "ì=R¡¤à ³t¡³ƒà ÒüJR¡ JR¡ìÒïƒ>à "ì³[¹A¡à "³Îå} \³¢[>Kã [k¡ìÚi¡¹ "JR¡-"îÒ, ëó¡[ʡ줺 [ƒì¹v¡û¡¹ ³Úà³ "³à ëA¡à¹Î 빚ìi¡à¢[¹Kã ºãºà ëÚ}>¤à =å}îºú ³ƒåKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹[Å} "ƒåKã [i¡³ "ƒåƒà ëA¡à[¹Úà ³W¡à Îàl¡ü= "à[óø¡A¡à ³W¡à, ÚåìKàìÑÃà쮡[A¡Úà ³W¡à Ç¡ì¹ú "ƒåP¡´¬à ëR¡ïì¹àA¡ ëR¡ï¤à ¯à}=å} ¯à}¤à, ³åÇ¡A¡ ³å¤à ³¹v¡û塃à Òü=à ëÒA¡ =à\ƒ>à "ì³[¹A¡àKã >å¸ìÚàA¢¡¡ [Î[i¡ƒà íº¤à ³ìº³Kã [³t¡à>ó¡³ *Òü[¹¤à Brooklyn Academy of Music "Å´¬ãƒà BAM ÒàÚ¹KÎå JR¡>¤à "[ÎKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹ ëºàÚ>>à Executive producer, Joseph V. Melillo Îå Úà*¹³[Jú ³ÒàA¡[Î Úà´•à [³} íº¤à Columbia Artists Management A¡ã international artistic advisor Îå *Òü¤[>ú
³ìJàÚ>à ëA¡à¹Î ëÚ賈à [k¡ìÚi¡¹Kã ëÒ¤> "³à ë=}>¤P¡³ Ò¹à*\[Jú "Úà*¤à ëA¡ì³¹à³îJ šåì=àv¡û¡å>à ëó¡àìt¡à šR¡>³ƒà >³[Jú ³ìJàÚKã ³>åR¡ƒà >åšã "[> "׳Îå Úà*[Jú t¡àÒüìó¡; t¡àÒü>à ëR¡ïì¹àA¡ ëR¡ï¤ã ÎàìÒ¤ >åšã "[>Kã ³¹v¡û¡à ³åÇ¡A¡ ³å¤ã ë>ìNøà >åšã "³Îå Úà*Òüú "ìR¡ï¤ã >åšã "[>ƒåKã ³¹v¡û¡à Asia Society Kã Global Peforming Arts and Cultural Initiative executive Kã director, Richel Cooper, Ameircan >åšã "ƒåÎå Úà*¹³[J¡ú "ît¡ Úà*¹A¡[J¤[Å} "ƒå[ƒ Lisa Booth, Kenneth Foster, Margaret, O’Brien, ë³à[>A¡à "[Î>[W¡}¤[>ú [l¡ìδ¬¹ 27, 2003 ³ìJàÚ>à Úà´•à ëJï¹à}>à R¡àÒü[¹¤à ¹t¡> [=Úà³Kã [>Úå šøƒG> ‘ëÒ >å}[Ť㠚õ[=¤ã’ My Earth My Love l¡ü;[Jú ³ìJàÚ šåR¡à* R¡à*[J Joseph V. Mellio >à ÎR¡àÒü &GìšøÎA¡ã ¤å‹ [W¡}=à³Kã Òü–i¡[®¢¡Úå "³ƒà \à>å¯à¹ã 1, 2004 Kã ëW¡ìó¡àR¡ƒà ¹t¡> [=Úà³Kã "ì>ï¤à ëšÃ ëÚ}¤Kã >åR¡àÒü\¤à "ìš>¤>à =À¤à ¯àîÒ, ¹t¡> [=Úà´¬å JR¡>¤Kã šå[XKã >å}R¡àÒü¹¤à [³Aå¡š "ƒå "Îå´•à ëó¡àR¡ìƒàAá³[J, I feel deeply fortunate to have a friend like Ratan Thiyam. My life has been profoundly influenced by him. His latest play, My Earth My Love, surpasses Uttar Priyadarshi in artistic and thematic excellence. Why other theatre directors fail to create play that communicate a powerful message of peace, as Ratan Thiyam did?
- Joseph V. Mellilo
Sangai Express 05-01-2004
³à캳ƒà ¹t¡> [=Úà³Kã [k¡ìÚi¡¹Kã Jåìƒàº "[Î[ƒ Úà´•à W¡à*Òüú ³à캳Kã "ìW¡ï-"ìW¡ï¤à Òü–i¡¹ì>Îì>º [k¡ìÚi¡¹ ëó¡[ʡ줺[Å} "[Î[ƒ ¹t¡> [=Úà³Kã ëšÃ>à Úà*ƒ¤à íºìy ú ³à캳ƒà A¡ì–i¡´š¹[¹ Òü[–ƒÚà> [k¡ìÚi¡¹ ÒàÚ¹Kà JR¡>[¹¤[Î ³[ošå¹ã [k¡ìÚi¡¹>à ³×; [ÅÀ¤[>ú Òü[–ƒÚàKã ë>Îì>º ëšš¹[Å}ƒà "ît¡ ëºàºKã ºãºà ³Úà³ "³à "ì³[¹A¡àƒà, º–ƒ–ƒà, \–µ[>ƒà, óø¡àXt¡à l¡ü;ìº, l¡ü;ìº ÒàÚƒå>à ëó¡àR¡ºKÎå Aå¡š—à [=¹K[ƒ ³ó¡³ƒåƒà Jå–ƒà íºt¡àƒå>à íº¹¤à Òü[–ƒÚà ³W¡à[Å}>à "ìW¡ï-"ìW¡ï¤à ëó¡[ʡ줺 ºàA¡šƒà, lå¡K¢à šå\à ëšàUº ëó¡[ʡ줺P¡´¬ƒà ëź JàÚ>¹Kà ëA¡ïƒå>à l¡ü;šà *Òü¹³[Jú &[ƒ>¤K¢ Òü–i¡ì>Îì>º [k¡ìÚi¡¹ ëó¡[ʡ줺ƒà "ì³[¹A¡àK㠤ೃà, ëA¡ì>[ƒ ëΖi¡¹ƒà ºãºà "³åv¡û¡} l¡ü;W¡¹¤[ƒ ÒàÚƒå>à ºàÒü Jå¹ç¡´•[¹¤[>ú "ƒå¤å ¹t¡> [=Úà³Kã ëšÃ[Å} "[Î[ƒ "R¡A¡š[>ú ëó¡[ʡ줺 ³Úà³ "[Î J¹ƒ} [>}[Å}¤à Úà¤[ƒ,
PERFORMANCE OF OWN PRODUCTIONS AT DIFFERENT PLACES AND COUNTRIES
- Pan - Asiatico Festival, Rome, 1984
- Indo-Greek Symposium, Delphi, 1984
- East-West Encounter, Mumbai ( India ), 1986
- Edinburgh International Theatre Festival, Edinburgh, 1987
- Festival of India, USSR, 1987
- Cardiff International Theatre Festival, Cardiff, 1987
- Glasgow Festival, Glasgow, 1987
- Dublin Festival, Dublin, 1987
- Cervantino International Festival, Mexico, 1990
- Mitsui International Festival, Japan, 1990
- Toga International Festival, Japan, 1992
- Festival d’ Avignon, France, 1995
- Festival of India in Thailand, 1996
- South Asian Theatre Festival, Dhaka ( Bangladesh), 1997
- 50-years of Indian Independence Day celebration in Srilanka, 1997
- Festival of Perth, Australia, 1998
- New Zealand International Festival of the Arts, 1998
- 7th International Festival of Scenic Arts, Sao Paulo (Brazil), 1998
- Indian Trade Fair Exhibition in Dhaka (Bangladesh), 1999
- 50-years of Indian Independence Day Celebration in Nepal, 2000
- Fall 2000 American Debut Tour, 2000
- Barbican International Theatre Event (BITE:01), London (United Kingdom)
- BeSeto International Theatre Festival, Togamura (Japan), 2001
- 3rd Spring Arts Festival, Shizuoka (Japan), 2002
- Toga International Festival, Toga (Japna), 2002
- Third Asia-Pacific Arts Forum (Taiwan), 2005
- IIC Experience- A festival of the Arts (New Delhi, India), 2005
- Biennale Bonn: Indien 2006, Germany
- Fall 2006 American Debut Tour
- Barbican Theatre Event, 2007, London
- Toga Festival, 2007, Japan
- Dr. Neelan Tiruchelvam Memorial Cultural Event 2008, Colombo
- India’s Republic Day Celebration at Sri lanka, 2008
- Singapore Arts Festival, 2008
- SCOT Summer Season International Theatre Festival: 2009 in Toga (Japan)
- Festival of India in China, 2010
- Ibsen Stage Festival, 2010, Oslo (Norway)
- 5th Theatre Olympics, 2010 in Seoul (Korea)
- Maximum India 2011, Kennedy Center, Washington D.C. (USA)
- Orchids of Manipur: 2011, Asia Society, New York (USA)
- 6th Theat re Olymics, Beijing China 2014.
OTHER PLACES OF PERFORMANCE
Tokyo, New York, London, Delphi, Kalamata, Thessaloniki, Kavala, Athens, Yaroslov, Leningrad, Minsk, Brisova, Southampton (South London), Amsterdam, Gainsborough, Bradford, Omag, Queretaro, Guanajuato, Curz- A-Zul, Guaquil, Qutio, Cuba, Manizales, Bogota, Lima, Havana, Thimpu, Bangkok, Avignon, Chiang Mai, Madrid, Valladolid, Logrono, Paris, Wellington, Zurich, Vitoria, Lisboa, Dhaka, Kathmandu, Toga, Holland, Peru, Shizuoka, Taipei, Yilan, Bonn, Brooklyn, Kansas, Davis, North Carolina, Berkeley Colombo etc.
³à캳Kã ³[³} íº¤à ëó¡[ʡ줺[Å} "[Î>à ³ìJàÚKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹[Å} =à¹v¡û¡å>à ëšÃ ëÚ}ºKà l¡ü;[šÚå ÒàÚ>à Òü>®¡àÒüìi¡Î> A¡;[º¤[>ú ëÒï[J¤à W¡[Ò 30¡ú 40 "[Î[ƒ ¹t¡> [=Úà´•à ³à캳Kã [k¡ìÚi¡¹ "[Î ÒàÒü>à ×´•à šà>¤à R¡³[Jú ³à캳Kã ³[³} íº¹¤à šàl¡ü ëW¡ The New York Times A¡ã ³[³} íº¹¤à [yû¡[i¡A¡ Margo Jefferson >à ¹t¡> [=Úà´¬å ºàÒüìšàA¡[> ÒàÚ>ó¡à* ÒàÚ, ³ÒàB¡ã ÅA¡ 2000 Kã "ì³[¹A¡à> i塹 "³Kã l¡üi¡¹ [šøÚàƒ¢[Å¢ (The Final Beastitude) ëÚ}ºKà "ÎåÄà ÒàÚ, We need theatre that joins history to ritual, and not because ritual should transend history, but because ritual can transform it. I would call his composer-writer - director, choreographer RATAN THIYAM a genius. ³[Î>Îå ëºàÒ[üƒö ëA¡à¹Î 빚ìi¡à[¹ A¡´š[> "[Î¤å ³à캳Kã J«àÒüƒKã ³[³} íº¤ƒKã [³} íº¹¤à *Òü>Îå US Tour, "Îå´•à š[À, Renowned for its disciplined performance practice spectacular aural and visual esthetic and potent thematic explorations, Thiyam’s work has placed him in the company of Suzuki, Peter Brook, Eugeno Berba, and Jerry Grotowsky.
³à캳Kã ³¹àA¡ ³Úå}ƒà J«àÒüƒKã šàA¡ ÅÄà W¡vå¡>à [k¡ìÚi¡¹ šàìó¡à¢ì³X [š¤à R¡´¬[Î ³à캳Kã *Òü>à Úà´•à ³[³} íºú ³¹³ "ƒå>à THE TIMES LONDON >à ¹t¡> [=Úà´¬å Theatre’s greatest dictator ÒàÚ>à ó¡à*¤à &[šøº t¡à} 7, 2007 ƒà ëA¡à¹Î>à ³ó¡³ "ƒåƒà =å}º¤ƒà ëó¡àR¡ºA¡[Jú Tomorrow the latest production by Ratan Thiyam Opens in London. Lucy Powel meets one of the theatre’s greatest dictators ... Meeting the Indian director Ratan Thiyam is an un-nerving experience.
[email protected]
³[Î>Îå ëºàÒü[‰ú ¹t¡> [=Úà³ "³Îå} ³ÒàB¡ã ëA¡à¹Î 빚ìi¡à[¹ "ìÎ [k¡ìÚi¡¹Kã ³A¡àP¡´¬à "³à *Òü¹¤[>ú ³à캳>à ÅA¡JR¡º¤à ³[ošå¹ƒà ët¡àR¡à>-ìt¡àR¡à>¤à [k¡ìÚi¡¹ ÑHæº "[>JA¡ íºú ³ƒå[ƒ [k¡ìÚi¡¹ *ó¡ ¹t¡> [=Úà³ "³Îå} [k¡ìÚi¡¹ *ó¡ íÒÑ•à³ A¡Òû¡àÒüºàº "[> "[Î[>ú ³¹³ "[Î>[> [k¡ìÚi¡¹ ºàÒüó¡³ W¡;šP¡³ 뺜¡>à ºàA—¡[¹¤àú
¹t¡> [=Úà³ "³Îå} ëA¡à¹Î 빚ìi¡à[¹ [k¡ìÚi¡¹ "ìÎ A¡ì–i¡´š¹[¹ ¯àÁ¢¡ [k¡ìÚi¡¹Kã ëΖi¡¹ *Òü¤Kã "ìt¡àÙà "R¡A¡šà ³šà* "³>à, ³[ošå¹ã [k¡ìÚi¡¹Kã šå¯à¹ãƒà Òüƒå>à íºJö¤à 2003 Kã "ì=R¡¤à ³t¡³ƒà ÒüJR¡ JR¡ìÒïƒ>à "ì³[¹A¡à "³Îå} \³¢[>Kã [k¡ìÚi¡¹ "JR¡-"îÒ, ëó¡[ʡ줺 [ƒì¹v¡û¡¹ ³Úà³ "³à ëA¡à¹Î 빚ìi¡à¢[¹Kã ºãºà ëÚ}>¤à =å}îºú ³ƒåKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹[Å} "ƒåKã [i¡³ "ƒåƒà ëA¡à[¹Úà ³W¡à Îàl¡ü= "à[óø¡A¡à ³W¡à, ÚåìKàìÑÃà쮡[A¡Úà ³W¡à Ç¡ì¹ú "ƒåP¡´¬à ëR¡ïì¹àA¡ ëR¡ï¤à ¯à}=å} ¯à}¤à, ³åÇ¡A¡ ³å¤à ³¹v¡û塃à Òü=à ëÒA¡ =à\ƒ>à "ì³[¹A¡àKã >å¸ìÚàA¢¡¡ [Î[i¡ƒà íº¤à ³ìº³Kã [³t¡à>ó¡³ *Òü[¹¤à Brooklyn Academy of Music "Å´¬ãƒà BAM ÒàÚ¹KÎå JR¡>¤à "[ÎKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹ ëºàÚ>>à Executive producer, Joseph V. Melillo Îå Úà*¹³[Jú ³ÒàA¡[Î Úà´•à [³} íº¤à Columbia Artists Management A¡ã international artistic advisor Îå *Òü¤[>ú
³ìJàÚ>à ëA¡à¹Î ëÚ賈à [k¡ìÚi¡¹Kã ëÒ¤> "³à ë=}>¤P¡³ Ò¹à*\[Jú "Úà*¤à ëA¡ì³¹à³îJ šåì=àv¡û¡å>à ëó¡àìt¡à šR¡>³ƒà >³[Jú ³ìJàÚKã ³>åR¡ƒà >åšã "[> "׳Îå Úà*[Jú t¡àÒüìó¡; t¡àÒü>à ëR¡ïì¹àA¡ ëR¡ï¤ã ÎàìÒ¤ >åšã "[>Kã ³¹v¡û¡à ³åÇ¡A¡ ³å¤ã ë>ìNøà >åšã "³Îå Úà*Òüú "ìR¡ï¤ã >åšã "[>ƒåKã ³¹v¡û¡à Asia Society Kã Global Peforming Arts and Cultural Initiative executive Kã director, Richel Cooper, Ameircan >åšã "ƒåÎå Úà*¹³[J¡ú "ît¡ Úà*¹A¡[J¤[Å} "ƒå[ƒ Lisa Booth, Kenneth Foster, Margaret, O’Brien, ë³à[>A¡à "[Î>[W¡}¤[>ú [l¡ìδ¬¹ 27, 2003 ³ìJàÚ>à Úà´•à ëJï¹à}>à R¡àÒü[¹¤à ¹t¡> [=Úà³Kã [>Úå šøƒG> ‘ëÒ >å}[Ť㠚õ[=¤ã’ My Earth My Love l¡ü;[Jú ³ìJàÚ šåR¡à* R¡à*[J Joseph V. Mellio >à ÎR¡àÒü &GìšøÎA¡ã ¤å‹ [W¡}=à³Kã Òü–i¡[®¢¡Úå "³ƒà \à>å¯à¹ã 1, 2004 Kã ëW¡ìó¡àR¡ƒà ¹t¡> [=Úà³Kã "ì>ï¤à ëšÃ ëÚ}¤Kã >åR¡àÒü\¤à "ìš>¤>à =À¤à ¯àîÒ, ¹t¡> [=Úà´¬å JR¡>¤Kã šå[XKã >å}R¡àÒü¹¤à [³Aå¡š "ƒå "Îå´•à ëó¡àR¡ìƒàAá³[J, I feel deeply fortunate to have a friend like Ratan Thiyam. My life has been profoundly influenced by him. His latest play, My Earth My Love, surpasses Uttar Priyadarshi in artistic and thematic excellence. Why other theatre directors fail to create play that communicate a powerful message of peace, as Ratan Thiyam did?
- Joseph V. Mellilo
Sangai Express 05-01-2004
³à캳ƒà ¹t¡> [=Úà³Kã [k¡ìÚi¡¹Kã Jåìƒàº "[Î[ƒ Úà´•à W¡à*Òüú ³à캳Kã "ìW¡ï-"ìW¡ï¤à Òü–i¡¹ì>Îì>º [k¡ìÚi¡¹ ëó¡[ʡ줺[Å} "[Î[ƒ ¹t¡> [=Úà³Kã ëšÃ>à Úà*ƒ¤à íºìy ú ³à캳ƒà A¡ì–i¡´š¹[¹ Òü[–ƒÚà> [k¡ìÚi¡¹ ÒàÚ¹Kà JR¡>[¹¤[Î ³[ošå¹ã [k¡ìÚi¡¹>à ³×; [ÅÀ¤[>ú Òü[–ƒÚàKã ë>Îì>º ëšš¹[Å}ƒà "ît¡ ëºàºKã ºãºà ³Úà³ "³à "ì³[¹A¡àƒà, º–ƒ–ƒà, \–µ[>ƒà, óø¡àXt¡à l¡ü;ìº, l¡ü;ìº ÒàÚƒå>à ëó¡àR¡ºKÎå Aå¡š—à [=¹K[ƒ ³ó¡³ƒåƒà Jå–ƒà íºt¡àƒå>à íº¹¤à Òü[–ƒÚà ³W¡à[Å}>à "ìW¡ï-"ìW¡ï¤à ëó¡[ʡ줺 ºàA¡šƒà, lå¡K¢à šå\à ëšàUº ëó¡[ʡ줺P¡´¬ƒà ëź JàÚ>¹Kà ëA¡ïƒå>à l¡ü;šà *Òü¹³[Jú &[ƒ>¤K¢ Òü–i¡ì>Îì>º [k¡ìÚi¡¹ ëó¡[ʡ줺ƒà "ì³[¹A¡àK㠤ೃà, ëA¡ì>[ƒ ëΖi¡¹ƒà ºãºà "³åv¡û¡} l¡ü;W¡¹¤[ƒ ÒàÚƒå>à ºàÒü Jå¹ç¡´•[¹¤[>ú "ƒå¤å ¹t¡> [=Úà³Kã ëšÃ[Å} "[Î[ƒ "R¡A¡š[>ú ëó¡[ʡ줺 ³Úà³ "[Î J¹ƒ} [>}[Å}¤à Úà¤[ƒ,
PERFORMANCE OF OWN PRODUCTIONS AT DIFFERENT PLACES AND COUNTRIES
- Pan - Asiatico Festival, Rome, 1984
- Indo-Greek Symposium, Delphi, 1984
- East-West Encounter, Mumbai ( India ), 1986
- Edinburgh International Theatre Festival, Edinburgh, 1987
- Festival of India, USSR, 1987
- Cardiff International Theatre Festival, Cardiff, 1987
- Glasgow Festival, Glasgow, 1987
- Dublin Festival, Dublin, 1987
- Cervantino International Festival, Mexico, 1990
- Mitsui International Festival, Japan, 1990
- Toga International Festival, Japan, 1992
- Festival d’ Avignon, France, 1995
- Festival of India in Thailand, 1996
- South Asian Theatre Festival, Dhaka ( Bangladesh), 1997
- 50-years of Indian Independence Day celebration in Srilanka, 1997
- Festival of Perth, Australia, 1998
- New Zealand International Festival of the Arts, 1998
- 7th International Festival of Scenic Arts, Sao Paulo (Brazil), 1998
- Indian Trade Fair Exhibition in Dhaka (Bangladesh), 1999
- 50-years of Indian Independence Day Celebration in Nepal, 2000
- Fall 2000 American Debut Tour, 2000
- Barbican International Theatre Event (BITE:01), London (United Kingdom)
- BeSeto International Theatre Festival, Togamura (Japan), 2001
- 3rd Spring Arts Festival, Shizuoka (Japan), 2002
- Toga International Festival, Toga (Japna), 2002
- Third Asia-Pacific Arts Forum (Taiwan), 2005
- IIC Experience- A festival of the Arts (New Delhi, India), 2005
- Biennale Bonn: Indien 2006, Germany
- Fall 2006 American Debut Tour
- Barbican Theatre Event, 2007, London
- Toga Festival, 2007, Japan
- Dr. Neelan Tiruchelvam Memorial Cultural Event 2008, Colombo
- India’s Republic Day Celebration at Sri lanka, 2008
- Singapore Arts Festival, 2008
- SCOT Summer Season International Theatre Festival: 2009 in Toga (Japan)
- Festival of India in China, 2010
- Ibsen Stage Festival, 2010, Oslo (Norway)
- 5th Theatre Olympics, 2010 in Seoul (Korea)
- Maximum India 2011, Kennedy Center, Washington D.C. (USA)
- Orchids of Manipur: 2011, Asia Society, New York (USA)
- 6th Theat re Olymics, Beijing China 2014.
OTHER PLACES OF PERFORMANCE
Tokyo, New York, London, Delphi, Kalamata, Thessaloniki, Kavala, Athens, Yaroslov, Leningrad, Minsk, Brisova, Southampton (South London), Amsterdam, Gainsborough, Bradford, Omag, Queretaro, Guanajuato, Curz- A-Zul, Guaquil, Qutio, Cuba, Manizales, Bogota, Lima, Havana, Thimpu, Bangkok, Avignon, Chiang Mai, Madrid, Valladolid, Logrono, Paris, Wellington, Zurich, Vitoria, Lisboa, Dhaka, Kathmandu, Toga, Holland, Peru, Shizuoka, Taipei, Yilan, Bonn, Brooklyn, Kansas, Davis, North Carolina, Berkeley Colombo etc.
³à캳Kã ³[³} íº¤à ëó¡[ʡ줺[Å} "[Î>à ³ìJàÚKã ëó¡[ʡ줺 [ƒì¹v¡û¡¹[Å} =à¹v¡û¡å>à ëšÃ ëÚ}ºKà l¡ü;[šÚå ÒàÚ>à Òü>®¡àÒüìi¡Î> A¡;[º¤[>ú ëÒï[J¤à W¡[Ò 30¡ú 40 "[Î[ƒ ¹t¡> [=Úà´•à ³à캳Kã [k¡ìÚi¡¹ "[Î ÒàÒü>à ×´•à šà>¤à R¡³[Jú ³à캳Kã ³[³} íº¹¤à šàl¡ü ëW¡ The New York Times A¡ã ³[³} íº¹¤à [yû¡[i¡A¡ Margo Jefferson >à ¹t¡> [=Úà´¬å ºàÒüìšàA¡[> ÒàÚ>ó¡à* ÒàÚ, ³ÒàB¡ã ÅA¡ 2000 Kã "ì³[¹A¡à> i塹 "³Kã l¡üi¡¹ [šøÚàƒ¢[Å¢ (The Final Beastitude) ëÚ}ºKà "ÎåÄà ÒàÚ, We need theatre that joins history to ritual, and not because ritual should transend history, but because ritual can transform it. I would call his composer-writer - director, choreographer RATAN THIYAM a genius. ³[Î>Îå ëºàÒ[üƒö ëA¡à¹Î 빚ìi¡à[¹ A¡´š[> "[Î¤å ³à캳Kã J«àÒüƒKã ³[³} íº¤ƒKã [³} íº¹¤à *Òü>Îå US Tour, "Îå´•à š[À, Renowned for its disciplined performance practice spectacular aural and visual esthetic and potent thematic explorations, Thiyam’s work has placed him in the company of Suzuki, Peter Brook, Eugeno Berba, and Jerry Grotowsky.
³à캳Kã ³¹àA¡ ³Úå}ƒà J«àÒüƒKã šàA¡ ÅÄà W¡vå¡>à [k¡ìÚi¡¹ šàìó¡à¢ì³X [š¤à R¡´¬[Î ³à캳Kã *Òü>à Úà´•à ³[³} íºú ³¹³ "ƒå>à THE TIMES LONDON >à ¹t¡> [=Úà´¬å Theatre’s greatest dictator ÒàÚ>à ó¡à*¤à &[šøº t¡à} 7, 2007 ƒà ëA¡à¹Î>à ³ó¡³ "ƒåƒà =å}º¤ƒà ëó¡àR¡ºA¡[Jú Tomorrow the latest production by Ratan Thiyam Opens in London. Lucy Powel meets one of the theatre’s greatest dictators ... Meeting the Indian director Ratan Thiyam is an un-nerving experience.
[email protected]